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December 2, 1995
Rest and Perception

We talk about people being rested or fatiqued. But these are not absolutes—instead we have degrees of fatigue. We can be "plumb tuckered out, just beat, worn to a nub." We have fatigue from a day's work, and fatigue carrying over from day to day, have people who are gradually worn down until they are unable to function, or unable to function at a level of competence which would make the acting worthwhile.

We have intellectual, aesthetic and sensual fatigue too. We speak of being tired of doing certain things, feeling as if we are in a rut. We are tired of eating chicken, tired of repairing the car, tired of changing diapers. We get tired of looking at the same scene even if at first we looked at it with admiration and excitement. People even get tired of kissing and loving the same person and seek diversity, seek new experience.

Tired? Rested? Fresh or stale? Old or new? These are all in some way time concepts. One reason duration is so importance has to do with our sense perceptions, our way of thinking and doing. We mentally continually abstract and delete, focus more widely or narrowly on our surroundings depending on our value system. The new we value more highly than the old, so we gradually devote less attention to it. Otherwise, we would have little ability to think at all. There would be too much new material to deal with. I think this phenomena is best illustrated by our reaction when first driving up to an intersection. We have so much new information to sort that we often fail to perceive that we have sufficient time to move our car into the traffic safely. After we have been at the intersection a short time, we can block out the unessential information and know whether it is safe to proceed.

When data is sorted and categorized, we become less sensitive to it. We think we know about it. We push it from the center of our attention. This allows us to rest, to take in new data. We of course by necessity of processing so much data may at time falsely categorize things, may think the fawn some sun spotted leaves, think the snake a leaf or stem of a tree. We may label something in our mind appropriately at the time, only to have it change, to have it grow old, grow larger. As it changes slowly, we may fail to notice the change because we have moved it out of the center of the focus of our attention. Some things of course are evidently different and demand our attention. The clothes dry on the line. The flag begins to blow in the wind. The fly lands on our nose. The tree grows till it scrapes against the house in the wind.

We change, too. We may be more reluctant to accept this because we do not wish to accept that we grow less able as perceivers. We hear less well, see less well, smell less well. So the world may be misperceived as well as miscategorized. Was that blur a snake, a stick, a golf club? But might it be true that we may accurately judge our inability to perceive well and be more attentive to the things about us.

In what sense can we be said to be more intelligent if we distrust our ability to categorize things correctly and spend more time looking at the individual. Again it depends. A burglar looks at the guard dog intently, but with a different focus and intent than the dog show judge.

Separation?

In what way are we separate from nature if at all. We of course have no complete separation at any moment we are taking in air and letting it out, sweating, giving off radiant heat. We urinate and defecate and masticate. We touch the ground, packing it down. We rub against things, wearing them down and leaving our cells. But we still, in spite of all this, think of ourselves as separate. And we must be, to some extent anyway. We have skin, a barrier against the entry of many things about us, things dull or wide, without too much force. But the sharp, the pointed, the forceful can reach us. We wear gloves and coats and chaps to keep these things from invading us. And bull nettles and wasps can get by our guard.
Houses and cars are attempts to build barriers against the invasion of nature—to separate us.

 

My Nature Writing

Nature Writing

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Home of Dick Heaberlin Writes

Orange House Books

A Cavalcade of Oilfield Novels
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English Syntax:
A Guide to the Grammar of Successful Writers

Writing Style 1

Connecting for Coherence:
A Guide to Building Sentences With Syntax And Logic

Writing Style 2

Purposeful Punctuation:
A Syntactic Guide to English Punctuation

Writing Style 3

Word Wisdom:
A Guide to Selecting Words
for Writers and Editors—Writing Style 4

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Center for the Study of the Southwest at Texas State University

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